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Kultura

Films produced in Kinostudio cannot be thrown in the trash, I don't know where some politicians come from now who propose to ban them, but this is wrong

Films produced in Kinostudio cannot be thrown in the trash, I don't know

Kristaq Mitro is one of the appreciated directors of Albanian cinematography, who have left a mark in the history of film. His contribution as a director is in the films "The Good Man", "Love Your Name", "The Last Winter", "The Bride and the Curfew", "Freedom or Death", "Apassionata", "Morning Phone", "Man good", "A girl and a boy", etc. Kristaq Mitro together with the director Ibrahim Muçaj have made some of the most popular films of Kinostudio, which have remained in the public's memory even today. But as a director of films before the 90s in our country, the director Kristaq Mitro "Honored Artist" says that he is against the banning of those cinematographic productions. In the interview for "SOT" newspaper, the well-known director Kristaq Mitro talks about the work done at Kinostudio. Although according to him there are some films that are extreme, he calls the request made by a group of deputies of the Democratic Party for the works of art, including films, out of place. "Films produced by the former Kinostudio Albania e Re should be prohibited by law as part of communist propaganda", this request is part of the initiative filed in the Parliament by a group of democratic deputies, in the framework of decommunization, but director Kristaq Mitro says that this means hide actors, directors, etc. "The bride and curfew" one of Kristaq Mitro's films, 41 years after the Albanian premiere, was shown in Austria. The film produced in 1978 marked its international premiere at the 2019 "Viennale", which is one of the most important European events. "Films produced by the former Kinostudio Albania e Re should be prohibited by law as part of communist propaganda", this request is part of the initiative filed in the Parliament by a group of democratic deputies, in the framework of decommunization, but director Kristaq Mitro says that this means hide actors, directors, etc. "The bride and curfew" one of Kristaq Mitro's films, 41 years after the Albanian premiere, was shown in Austria. The film produced in 1978 marked its international premiere at the 2019 "Viennale", which is one of the most important European events. "Films produced by the former Kinostudio Albania e Re should be prohibited by law as part of communist propaganda", this request is part of the initiative filed in the Parliament by a group of democratic deputies, in the framework of decommunization, but director Kristaq Mitro says that this means hide actors, directors, etc. "The bride and curfew" one of Kristaq Mitro's films, 41 years after the Albanian premiere, was shown in Austria. The film produced in 1978 marked its international premiere at the 2019 "Viennale", which is one of the most important European events. "The bride and curfew" one of Kristaq Mitro's films, 41 years after the Albanian premiere, was shown in Austria. The film produced in 1978 marked its international premiere at the 2019 "Viennale", which is one of the most important European events. "The bride and curfew" one of Kristaq Mitro's films, 41 years after the Albanian premiere, was shown in Austria. The film produced in 1978 marked its international premiere at the 2019 "Viennale", which is one of the most important European events.

-These days, the debate about the screening of Albanian films produced before the 90s has returned. Films produced by the former Kinostudio Albania e Re should be banned by law as part of communist propaganda, this request is part of the initiative submitted to the Parliament by a group of democratic deputies, in the framework of decommunization. As the director of several films produced by Kinostudio, how do you see this?

This debate has been exhausted and I don't know why it is happening again. It's over. They are films made by those times and people who are professionals, who shot, aspired, experienced and created. But now there are some who speak and I can't understand. The whole world has movies. The Italians we are close to have Italian neorealism. I see that every night in their cinemas films from that period are shown and without any problems at all. Films are shown, which had the problems of that time, with life, etc. We have done this too. If there is any film here, it is highly politicized and can be removed. But not to remove "Apassionata". What is there politics? It is about a talent that the father will take to school, etc. The film "A boy and a girl", "The telephone of a morning", etc. they are films that I don't understand why Kinostudio's productions are being discussed now. It is the public itself that watches them, chooses them, talks about them, etc. There is no need to do this work with a law to ban films. I don't know where some politicians come from now, who speak on behalf of the people. I think it's a pointless debate. If the Albanian parliament falls into the vortex or the litter of these people, who neither have the capacity nor know what the film is, agree, but if they manage to understand what these people are who made the film and what these films are, etc. , then our films will be saved. There are some extreme films, which can be removed. I do not say that my film "Our Enveri" should be shown. But everywhere they fought. I watch the films of the English, the Russians, who had heroes of the people who fought against Nazism. Is this a fact that they rose? Did the French have movies? How many movies do they have? There are many films, that the organized people fought Nazism at that time. If we have anything, for example in "The Last Winter" there is a plan that we put in the film where the partisan comes, I told them that this village is surrounded captured by the Germans, where did this partisan come from, because I don't understand. Kristaq Dhamo said yes, no one says anything, so it was by order.

-Si u realizua atë kohë filmi “Enveri ynë?

“Enveri ynë” ishte një film i diktuar. Duhej bërë dhe e bëmë. Këtu ka dhe njerëz të tillë që thonë, si i keni bërë ju këta filma? Po si do bënim neve? Duhet të hapej dera e burgut dhe të futeshim në burg, sepse kështu i bie. Do të bëje filmin se merrje rrogën dhe atje punoje. Nuk i kuptoj dot këta njerëz, që nuk po arrijnë dot të kuptojnë kohën në të cilën ne kemi jetuar ato vite para ‘90. Ky është një diskutim i gjatë për filmat, por duhet që të jenë njerëz të zgjuar në këtë diskutim dhe të mos hyjnë njerëz kot, që nuk kanë bërë asgjë në jetën e tyre. Ngrihet Enkelejd Alibeaj, që nuk di as ku bie me shtëpi kinemaja e tij dhe e botës.

 - Në korrik u festua 70-vjetori i Kinostudios me një mbrëmje. Më parë ju jeni shprehur ndër të tjera se Kinostudio ishte një universitet dhe aty po të doje mësoje të bëje film nëse kishe talent. Ishte një shkollë e madhe, që fatkeqësisht humbi sipas jush. Çfarë solli kjo?

Në Kinostudio u edukuan, mësuan, u rritën kuadro të filmit dhe jo kuadro partie Filmi është një art i madh, që e ka përqafuar e gjithë bota dhe e përqafuam edhe ne. Pse gabim bëmë ne që përqafuam atë rrymë, atë bukuri, atë kinema? Jo nuk bëmë gabim. Ne bëmë filma dinjitozë. Tani urdhëro le ti bëjnë këta që ngrihen tani Alibeaj me shokë filmat. Po bënë këta 1 përqind të filmave që kemi bërë ne, unë jam dakord le ti marrin t’i djegin filmat e mi. Në filma është skenari, regjia, aktorët, piktori i filmit, etj. Unë si regjisor mendoj që filmat e Kinostudios duhet të shfaqen dhe të mos ndalohen. Kjo tani është tamam si në mesjetë. Ky është një mesjetar të një shekulli tjetër shumë larg, që thotë të ndalohen filmat e Kinostudios. Por ky njeri është turp. Nëse po flitet kështu për veprat, i bie që të hiqen dhe romanet e Kadaresë. Pra me një fjalë këtu të bëhet shkretëtirë. Po janë vlera dhe si ka mundësi të flasësh kështu për veprat, për punën, për gjithë këtë anë shpirtërore të shqiptarëve? Janë vetë shqiptarët që kanë luftuar dhe kanë marrë pjesë, janë personazhe ata, si do ti heqësh? Përse do t’i heqësh? Nuk e di çfarë mendje kanë këta njerëz.

- Jeni shprehur më parë që për filmat e një autori duhet të flasë një kritik, por që tek ne nuk ka. Si ndikon kjo?

Kritikë në art nuk kemi pasur dhe sërish nuk kemi ndonjë kritikë të shquar. Por që të arrish duhet të marrësh një shembull, se çfarë ka bërë bota me fil­ mat. I ka hedhur në kosh? Ka pasur ndonjë si Alibeaj ata që kanë marrë e kanë zhdukur filmat e tyre? Asnjëherë në botë. Ata i shfaqin filmat. Unë shikoj në Vjenë, që filmat e gjithë botës të realizmit, të neorealizmit, të kohës së fashizmit, etj, i shfaqin në kinema të veçanta. Përveçse kanë dhe televizione, që nuk e kanë të censuruar për filmat. Por në Shqipëri nuk po arrij dot ta kuptoj gjithë këtë inat të madh për veprën e artit, qoftë për filmin, muzikën, etj, sepse duke zhdukur filmin do zhdukësh muzikën, letërsinë, do heqësh gjithë ata aktorë nga qarkullimi. Ky është ortek i njeriut që i lind dëshira në mes të natës që të hiqen filmat. Po pse do ta bësh? Argument politik? Jo kjo nuk vlen fare. Se duhet të flasim tani për oqeanin, jo për kënetën. Propozimi për ndalimin e filmave është i gabuar, sikur të hedhësh filmat e Kinostudios në kosh.

-Sa i keni dëgjuar politikanët, që të flasin për investime dhe zhvillimin në art, meqë tani po flasin për ndalim të filmave?

Kinemaja ka marrë fund tek ne. Unë pyeta një student që kishte mbaruar shkollën tani dhe i them: e di ti çfarë është elipsi në kinema? Jo profesor tha, nuk ma ka thënë njeri. I them: atëherë çfarë kineasti do bëhesh ti, sepse ti duhet të dish për principet, parametrat, gurët e kilometrazhit nëpër të cilën kalon kinemaja.

-Nga se vuan sot filmi shqiptar për realizimin e tij?

First, Albanian film production suffers from the budget and second, we don't have a cinema center, an institution like the rest of the world. The National Center of Cinematography does not function properly, because they do not have a budget as they say. I look at the finished cinema work. The facts are showing that it is hellish. A film that starts 10 or 15 years ago and comes out now is not a production.